Literature does not simply mirror society but instead shapes
it and comments on the actualities of the society and others interacting with
it. Tariq Ali reflects this idea very strongly throughout his text and it truly
becomes central sentiment carried by not only those whose culture it is that is
being oppressed, but also those trying to oppress.
The portrayal of this sentiment in the conquistadors, who
wish to convert those who do not believe in Jesus Christ as the savior to
Christianity and destroy their culture, is very interesting. Initially this is
attempted in a dismissive manner allowing those of different religions and
language to continue their own practices of language and literature, however,
it becomes understood that this would not lead the type of governance that is
wanted. The Catholic Church’s wish was not merely to convert as many people as
possible, but more importantly make believers of them. The only way to truly
convert those same people was to cut away their culture and replace it with the
oppressors own. A societies culture and language grounds the people to a common
belief system and while it does not define them it does give them direction. By
removing a connection with historic Islamic scripture, literature and thought
they were able to take away any influence and all direction it gives to the
society whose culture was being removed.
It is hard to believe that Tariq Ali’s Shadows of the Pomegranate Tree is truly a Historic Fictional piece
because of the importance of literature to history and culture to societies and
his mirroring of that in the text. There is something very real about how he
speaks about literature and the effects it’s removal can have on a society.
While the story about the Farid al-Hudayl’s family is fictional the impact of
the destruction of Islamic literature, or any societies literature for that
matter, on them and their neighbors is one that has been felt in society even
today.
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