In
the first half of Shalimar the Clown, Salman Rushdie, does an excellent job of
introducing the characters’ personalities and behaviors while postponing the
uncovering of the meticulous details that explain why the characters are who
they are. For example, Shalimar the clown, a Muslim from
Kashmir, used to enjoy a life of indulgence, opportunity and love before he
lost his young wife and home. The rage that developed from the loss of his
spouse and the immense terrorist attack on his homeland; the burning of Kashmir
was a unifying Muslim experience, these events drove Shalimar into embracing
the radical side of Islam. The story opens with Max Ophlus being murdered in
broad daylight by Shalimar the Clown, his driver. Unaware to the audience, the
suffering Shalimar experienced forced him to believe he had legitimate
justification for his act of murdering and becoming a holy warrior. Having a
complete understanding of the behaviors of the characters from the beginning of
a novel obviously makes it a lot easier to understand the plot and character
development, but Rushdie succeeded in only incorporating limited characteristics
without making the story vague, it made for a suspenseful read.
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